Adam DuBrowa shoots with a pair of Nikon D-3 full-frame SLRs. As a DP with a career emphasis on documentary production, he lenses assignments for National Geographic, Discovery Channel and Fortune 500 companies on expeditions in science, nature, weather and social endeavors. Shooting high speed sequences of the latest technologies aboard the F-22 Raptors, F-18 Hornets, stealth fighters, Blackhawks, Seahawks and a diverse fleet of FEMA disaster operations aircraft has also proven him an accomplished aerial cinematographer.
While documenting the
riparian corridors of California after severe winter weather caused flooding,
landslides, and mudslides to the region, my work took me to places in six
counties in advance of spring's bloom. I was to document the damages associated
with flooding, and the response to those communities and public entities that
were affected. In doing so, I grew a profound appreciation for the desert, and
the wildlife that live in the unforgiving dynamic environment.
I began to see things in my
steps in search of the water's source, high notes of nature, and witnessed the
gentle birth of the spring season. I saw nature coming out of its slumber, transforming
into spring, and I witnessed the sun grow the flowers, which grew the
pollinators, which grew the predators. I was inspired by the quiet, simple, and
beautiful world of the desert.
Adam is freelancing at Backyard Productions in Venice, CA and
completed principal photography on the feature documentary “Tapped,” an inside
look into the bottled water industry. His photography for a special National Geographic Society documentary on Grizzly Bear attacks comes out next
month. Currently, Adam is deployed on assignment photographing the Calexico,
California 7.2 magnitude earthquake for the Federal Emergency Management Agency. Learn more about his documenting the damage, as well as the federal, state, and local response to the
disaster here.
We at Swell make it our passion to take your project to the next level. We are firm believers that stock music most times does not achieve your artistic goals; at best it dilutes the vision your team has spent long hours perfecting. We all live, breathe, and sleep music, and would enjoy nothing more than to “add more cowbell”, on all musical creative levels, to your work.
Swell turns out cutting-edge tracks for an impressive client list (AT&T, Ubisoft, Pepsi, MTV, BET) on nationwide spots and on music videos for artists such as Beyonce, Common,and Ludacris.